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About the Cover
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About the Cover
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Towards a premodern affective turn
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Neomedievalist feminist dystopia
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Neomedievalism and the modern subject in T.S. Eliot’s Murder in the Cathedral
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Don Quixote and the remembrance of things medieval
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Boundless restraint: Performance, reparation, and the daily practice of death in the Life of Daniel the Stylite
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Confessions and the creation of the will: A weird tale
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Heurodis speaks
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Like two autistic moonbeams entering the window of my asylum: Chaucer's Griselda and Lars von Trier's Bess McNeill
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A critical poetics of allure: 10 antiphons for the bringing-to-appearance of the place of allure as a complicity of human and non-human matter in writing, or, the Physis of the Whale in Anglo-Saxon England
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Manuscript thinking: Stories by hand
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Always already new: The possibilities of the enfolded instant
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Means of transport
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An abecedarium for the elements
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Flirting as a critical mode: Barthes, Alcibiades, Sartre
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Getting medieval in real time
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On medieval blogging
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Re-viewing the eastern Mediterranean
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You had to be there: Anachronism and the limits of laughing at the Middle Ages
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One does not simply laugh in Middle Earth: Sacrificing humor in Peter Jackson’s The Lord of the Rings
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Comedy in translation: Politics and poetics
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Valhallolz: Medievalist humor on the Internet
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‘Simply to amuse the reader’: The humor of Walter Scott’s Reformation
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Medieval comic relief: Cannibal cow, duck’s neck and carry on Joan of Arc