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  1. Utopian geographies & the early English novel
    Erschienen: 2014
    Verlag:  University of Virginia Press, Charlottesville

    "This book considers how writers of the late seventeenth and early eighteenth centuries engaged critically and creatively with the idea of utopia--in particular the idea of utopia as a geographic location--and how questions about world geography and... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 935597
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2015 A 4295
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Thüringer Universitäts- und Landesbibliothek
    ANG:HH:724:Pea::2014
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Otto-von-Guericke-Universität, Universitätsbibliothek
    2015.02102:1
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    ang 446.7 uto DG 1025
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    HK 1313 PEA
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    65.1424
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book considers how writers of the late seventeenth and early eighteenth centuries engaged critically and creatively with the idea of utopia--in particular the idea of utopia as a geographic location--and how questions about world geography and utopian possibility drove many of the formal innovations of the early English novel. Works examined include Margaret Cavendish's Blazing World, Aphra Behn's Oroonoko, Defoe's Robinson Crusoe and Captain Singleton, and Swift's Gulliver's Travels"--

     

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    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780813936239
    RVK Klassifikation: HK 1301 ; HK 1313
    Schlagworte: Geography in literature; Utopias in literature; English fiction; English fiction
    Weitere Schlagworte: Newcastle, Margaret Cavendish Duchess of (1624?-1674): Description of a new world, called the blazing world; Behn, Aphra (1640-1689): Oroonoko; Defoe, Daniel (1661?-1731): Robinson Crusoe; Defoe, Daniel (1661?-1731): Captain Singleton; Swift, Jonathan (1667-1745): Gulliver's travels
    Umfang: viii, 203 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seiten 155-198

    :

  2. Swift's angers
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    "Jonathan Swift's angers were all too real, though Swift was temperamentally equivocal about their display. Even in his most brilliant satire, A Tale of a Tub, the aggressive vitality of the narrative is designed, for all the intensity of its sting,... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 940098
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2014 A 18956
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2015 A 373
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Mannheim
    500 HK 3175 R262 S977
    keine Fernleihe
    Württembergische Landesbibliothek
    64/18944
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Brechtbau-Bibliothek
    NQ 860.739
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    65.527
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Jonathan Swift's angers were all too real, though Swift was temperamentally equivocal about their display. Even in his most brilliant satire, A Tale of a Tub, the aggressive vitality of the narrative is designed, for all the intensity of its sting, never to lose its cool. Yet Swift's angers are partly self-implicating, since his own temperament was close to the things he attacked, and behind his angers are deep self-divisions. Though he regarded himself as 'English' and despised the Irish 'natives' over whom the English ruled, Swift became the hero of an Irish independence he would not have desired. In this magisterial account, Claude Rawson, widely considered the leading Swift scholar of our time, brings together recent work, as well as classic earlier discussions extensively revised, offering fresh insights into Swift's bleak view of human nature, his brilliant wit, and the indignations and self-divisions of his writings and political activism"--

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Herzog August Bibliothek Wolfenbüttel
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107610101; 9781107034778; 1107610109; 1107034779
    Weitere Identifier:
    9781107610101
    RVK Klassifikation: HK 3175
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Anger in literature; Polarity in literature; Politics and literature; Politics and literature; Anger in literature; Polarity in literature; Politics and literature; Politics and literature; LITERARY CRITICISM; Anger in literature; Polarity in literature; Political and social views; Politics and literature; Psychology
    Weitere Schlagworte: Swift, Jonathan (1667-1745); Swift, Jonathan (1667-1745); Swift, Jonathan (1667-1745); Swift, Jonathan 1667-1745; Swift, Jonathan 1667-1745; Swift, Jonathan 1667-1745
    Umfang: XIV, 305 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index

    Machine generated contents note: Introduction: not Timons Manner; Part I. Ireland: 1. Swift, Ireland and the paradoxes of ethnicity; 2. The injured lady and the drapier: a reading of Swift's Irish tracts; Part II. Fiction: 3. The mock-edition revisited: Swift to Mailer; 4. Gulliver's Travels; 5. Swift's 'I' narrators; Part III. Poetry: 6. Rage and raillery and Swift: the case of Cadenus and Vanessa; 7. Vanessa as a reader of Gulliver's Travels; 8. Swift's poetry: an overview; 9. 'I The Lofty Stile Decline': vicissitudes of the 'heroick strain' in Swift's poems; 10. Savage indignation revisited: Swift, Yeats, and the 'cry' of liberty.