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  1. Reading Swift's poetry
    Autor*in: Cook, Daniel
    Erschienen: [2020]
    Verlag:  Cambridge University Press, Cambridge

    "Part way through his most famous self-elegy, Jonathan Swift coined one of the greatest one-line gags in poetry: 'what he writ was all his own'. The ostensibly proprietorial phrase was brazenly lifted from John Denham's On Mr Abraham Cowley: To him... mehr

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2020 A 7571
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2020 A 11967
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Brechtbau-Bibliothek
    Angl9b bestellt 2020/11
    keine Fernleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    HK 3175 C771
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    70.4345
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Part way through his most famous self-elegy, Jonathan Swift coined one of the greatest one-line gags in poetry: 'what he writ was all his own'. The ostensibly proprietorial phrase was brazenly lifted from John Denham's On Mr Abraham Cowley: To him no Author was unknown, Yet what he wrote was all his own. Denham praises Cowley for writing original verse under the appropriate influence of prominent models old and new. In Swift's poem, more than half a century later, the venerable art of imitation (imitatio veterum) had been displaced by the dubious threat of theft (stealing hints). What does it mean to steal a hint? 'To steal another's idea is wrong', as James McLaverty says; but 'to take it and adapt it (as Swift does with the La Rochefoucauld maxim that stimulates the Verses or with Denham's couplet in these lines) is a vital aspect of invention'. A hint can be gifted and regifted among likeminded writers. Swift gave John Gay the idea for The Beggar's Opera, though the latter preferred 'to have my own Scheme and to treat it in my own way'"--

     

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    Quelle: Herzog August Bibliothek Wolfenbüttel; Herzogin Anna Amalia Bibliothek
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108840958; 9781108744591
    RVK Klassifikation: HK 3175
    Schlagworte: Swift, Jonathan;
    Weitere Schlagworte: Swift, Jonathan (1667-1745); Swift, Jonathan (1667-1745)
    Umfang: viii, 316 Seiten
    Bemerkung(en):

    Literaturangaben

  2. Swift in print
    published texts in Dublin and London, 1691-1765
    Erschienen: 2020
    Verlag:  Cambridge University Press, Cambridge

    Pt. 1. Beginnings. First impressions: Dublin and London to 1699 -- Pt. 2. London. The shock of the normal: from temple to the Tale (1693-1705) -- Material voices: the Bickerstaff effect (1705-1710) -- Politics and permanence: Miscellanies, politics,... mehr

    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    2021/3256
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Heidelberg
    2020 A 9817
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    302656 - A
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    70.2880
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Pt. 1. Beginnings. First impressions: Dublin and London to 1699 -- Pt. 2. London. The shock of the normal: from temple to the Tale (1693-1705) -- Material voices: the Bickerstaff effect (1705-1710) -- Politics and permanence: Miscellanies, politics, and a Proposal declined (1710-1714). Pt. 3. Dublin. The Irish patriot in print (1720-1725) -- Delegating in London, recouping in Dublin: Travels, Miscellanies, the Intelligencer and A modest proposal (1726-1729) -- The works of J.S, D.D, D.S.P.D. (1731-1735) -- Pt. 4. Into the future. Ending and going on (1736-1765). "The journal's unique selling point was its promise to answer readers' questions: focusing on what Berry identifies as 'the concerns of the middling sort' of both sexes, it was ideally pitched for popular consumption. Among other printers, Richard Baldwin (c. 1653-1698), a voluminous trade publisher and printer of popular Whig polemic, was heavily involved. The flimsy half-sheet was printed on both sides, with advertisements at the end; the questions and answers were crammed into double columns of patchily impressed small type; literal errors and mis-sorted and reversed letters were frequent; and the advertisements rarely strayed far beyond Dunton's own projects. One hallmark, typical of the lower end of the market, was last-minute switching to smaller type as space ran out, revealing a failure of the process by which, in Gaskell's words, 'the compositor - or sometimes the master or overseer - "cast off" the copy by counting words and by computation according to the sizes of type and page that had been decided on'"--

     

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    Quelle: Herzog August Bibliothek Wolfenbüttel; Herzogin Anna Amalia Bibliothek
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781108839440
    Schlagworte: Literature publishing; Literature publishing; Printing; Printing
    Weitere Schlagworte: Swift, Jonathan (1667-1745); Swift, Jonathan (1667-1745)
    Umfang: xxviii, 314 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 292 - 302

  3. Swiftian inspirations
    enlightenment to the age of post-truth
    Autor*in:
    Erschienen: 2020
    Verlag:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Herzog August Bibliothek Wolfenbüttel
    70.3430
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Herzog August Bibliothek Wolfenbüttel
    Beteiligt: McCreedy, Jonathan (HerausgeberIn); Budakov, Vesselin M. (HerausgeberIn); Glavanakova, Alexandra (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781527541764
    Weitere Schlagworte: Swift, Jonathan (1667-1745)
    Umfang: xxii, 250 Seiten, Illustrationen, 21 cm
    Bemerkung(en):

    Literaturangaben