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  1. Pinnacle Liquid edition 6 for Windows
    Includes index
    Autor*in: Ekert, Paul
    Erschienen: c2005
    Verlag:  Peachpit, Berkeley, CA

    Pinnacle Liquid edition for Windows mehr

    Standort:
    Max-Planck-Institut für ethnologische Forschung, Bibliothek
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

     

    Pinnacle Liquid edition for Windows

     
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0321269160
    Schriftenreihe: Visual quickpro guide
    Schlagworte: Digital video; Digital video; Digital video / Editing; Digital video / Editing
    Umfang: Online-Ressource (xix, 539 p.), 23 cm
    Bemerkung(en):

    Mode of access: World Wide Web. - Made available through: Safari Books Online, LLC

    Made available through: Safari Books Online, LLC

    Available also in a print edition.

    Electronic reproduction; Available via World Wide Web
  2. Digital storytelling
    the narrative power of visual effects in film
    Autor*in: McClean, Shilo T.
    Erschienen: 2007
    Verlag:  MIT Press, Cambridge, Mass.

    "In Digital Storytelling, Shilo McClean shows how digital visual effects can be a tool of storytelling in film, adding narrative power as do sound, color, and "experimental" camera angles - other innovative film technologies that were once criticized... mehr

    Zugang:
    Resolving-System (Lizenzpflichtig)

    Standort:
    Universitätsbibliothek Osnabrück
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Gemeinsamer Bibliotheksverbund (GBV)

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe
    Link zum Verbundkatalog:
    Südwestdeutscher Bibliotheksverbund (SWB)

     

    "In Digital Storytelling, Shilo McClean shows how digital visual effects can be a tool of storytelling in film, adding narrative power as do sound, color, and "experimental" camera angles - other innovative film technologies that were once criticized for being distractions from the story. It is time, she says, to rethink the function of digital visual effects." "Digital Storytelling is grounded in filmmaking, the scriptwriting process in particular. McClean considers crucial questions about digital visual effects - whether they undermine classical storytelling structure, if they always call attention to themselves, whether their use is limited to certain genres - and looks at contemporary films (including a chapter-long analysis of Steven Spielberg's use of computer-generated effects) and contemporary film theory to find the answers. McClean argues that to consider digital visual effects as simply contributing the "wow" factor underestimates them. They are, she writes, the legitimate inheritors of film storycraft."--Jacket.

     
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