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  1. Promiscuous knowledge
    information, image, and other truth games in history
    Erschienen: 2020
    Verlag:  University of Chicago Press, Chicago

    Warning Horatio -- Victorian Culture and the Diffusion of Learning -- The Culture of Happy Summary, 1920-45 -- The Age of the World Picture, 1925-45 -- Delirious Images, 1975-2000 -- Promiscuous Knowledge, 1975-2000 --Postscript: The Promiscuous... mehr

    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    306.4 C6495p
    keine Fernleihe
    Universitätsbibliothek Leipzig
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    NK 4760 C649
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Warning Horatio -- Victorian Culture and the Diffusion of Learning -- The Culture of Happy Summary, 1920-45 -- The Age of the World Picture, 1925-45 -- Delirious Images, 1975-2000 -- Promiscuous Knowledge, 1975-2000 --Postscript: The Promiscuous Knowledge of Ken Cmiel. "Histories of communication are still relatively rare birds, but this one is distinctive on several grounds. The two authors are/were undisputed giants in the field. Ken Cmiel, the originator of the book, still unfinished when he suddenly died in 2006, was a cultural historian of communication; his best friend, John Peters, is one of the world leaders in the intellectual history of communication. In completing that unfinished manuscript, Peters has performed astonishing prestidigitation here in creating an effective hybrid: he retains the core of Cmiel's account, while creating a unique book that, courtesy of Peters, brilliantly spins out the solid Cmielian core and its material traces into gorgeous reflections on aspects of how we make our way through a world of images and information. Promiscuous Knowledge constructs a cultural and intellectual history of information, images, and conceptions of knowledge since the 17th century, with an emphasis on the American context since the 19th century. Cmiel/Peters sketch the way in which various containers for information-knowledge, expertise, abridgment, books, digests, encyclopedias, museums, etc.-have variably organized gluts of information, and how these containers have eroded since the 1970s. A parallel throughline traces social attitudes and practices around images and key media for circulating and experiencing them. Cmiel envisioned the largest contour of the book as a contribution to the history of truth and truth-making. His protagonists are pictures and facts, images and information. They enact a process of gradual dismantling, erosion, or collapse of the mass culture system from last century into the present. Promiscuous knowledge has a new face, courtesy of the online universe full of filter bubbles, echo chambers, and fake news. Google offers a single portal to a churning mass of confusion; it lacks a principle of inclusion/inclusivity, it has no way of framing the whole. Peters has shaped what Cmiel started out with into a better Trump-era book than an Obama-era book. And he has retained its core: a brief history of how we left the world of fact for the world of information"--

     

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    Hinweise zum Inhalt
    Quelle: Herzogin Anna Amalia Bibliothek
    Beteiligt: Peters, John Durham (VerfasserIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780226611853
    RVK Klassifikation: CC 3200
    Schlagworte: Knowledge, Sociology of; Communication and culture; Communication
    Umfang: xvi, 328 Seiten, Illustrationen
    Bemerkung(en):

    Includes index