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  1. The nation made real
    art and national identity in Western Europe, 1600 - 1850
    Erschienen: 2013
    Verlag:  Oxford Univ. Press, Oxford

    What role did visual artists play in the emergence and spread of nationalism and a sense of national identity? Focusing on late-eighteenth and early-nineteenth century Britain and France, this original study in the historical sociology of nations and... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2013:2957:
    keine Fernleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 875782
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Verlust 20170713 Eg
    keine Fernleihe
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    A 2015/2393
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Kiel, Zentralbibliothek
    Bu 5973
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    LH 81150 S642
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    63.2988
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    What role did visual artists play in the emergence and spread of nationalism and a sense of national identity? Focusing on late-eighteenth and early-nineteenth century Britain and France, this original study in the historical sociology of nations and nationalism analyses the contributions of artists in these and other West European countries to the creation of memorable images of the abstract concept of the nation. By employing different modes of depiction for conveying moral lessons, evoking the atmosphere of the homeland, and commemorating the fallen in battle, David, Ingres, Turner, Constable, and Friedrich, as well as a host of lesser artists, were able to make the national idea appear palpable and accessible, and the abstract concept of the nation seem 'authentic' and 'real'. After a brief description of the main themes of the visual record of Dutch nation-building in the seventeenth century, Anthony D. Smith presents an original comparative analysis of the rise of 'national art' in eighteenth-century Britain and France

     

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    Quelle: Herzog August Bibliothek Wolfenbüttel; Herzogin Anna Amalia Bibliothek
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0199662975; 9780199662975
    RVK Klassifikation: LH 65760 ; LH 65780 ; LB 52005 ; LC 90005
    Auflage/Ausgabe: 1. ed.
    Schlagworte: Nationalism; Nationalism and art; Nationalism and art; Nationalism; Nationalism; Nationalism; Nationalism; Nationalism; Nationalism; Nationalism; Art; Art; Art; Art; Art; Art; Art; Painting, European; Painting, European; Painting, European; Painting, Netherlandish; Painting; Painting, British; Painting, British; Painting; Painting, French; Painting, French; Painting; Sculpture, European; Sculpture, European; Sculpture, European; Sculpture, Netherlandish; Sculpture; Sculpture, British; Sculpture, British; Sculpture; Sculpture, French; Sculpture, French; Sculpture; Art and society; Art and society; Art and society; Art and society; Art and society; Art and society; Art and society; Art and society; Art, European; Art, European; Art, European; Art, Netherlandish; Art, British; Art, British; Art, French; Art, French; Nationalism
    Umfang: XIII, 213 S., [2] Bl., Ill.
    Bemerkung(en):

    Includes bibliographical references (S. [195] - 206) and index

    Introduction : Nation and interpretationNational imagery before 1600 -- The visual components of a nation -- Celebrating the nation -- Evoking the homeland -- Rediscovering the past -- Commemorating the fallen -- Conclusion : Patterns of national imagery.